44 pages 1 hour read

Celestial Bodies

Fiction | Novel | Adult | Published in 2010

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 46-58Chapter Summaries & Analyses

Chapters 46-50 Summary

A man stands alone in the desert at a time when “the planet Saturn was directly ahead” (155). He makes an offering and feels relief when Salima’s face “flashed into his mind” (155). He burns the incense and launches into a “fervent call” (155). He pleads for God to “cut Najiya, daughter of Shaykha, from Azzan, son of Mayya” (155) and to lead them to despise one another.

Khawla is the only daughter left in her parents’ house. She feels “dejected and irritated by the constricted life at home” (156); her mother is always present, and, on rare occasions, her unsmiling father joins them. She becomes increasingly obsessed with her appearance and longs for Nasir to return. One day, he does. By this time, Khawla has rejected many marriage proposals. Nasir is broke and money left to him in his mother’s will is predicated on his marriage to Khawla. Two weeks after the wedding, as soon as he has the money, he flies back to Canada. There, he already has a girlfriend, who he does not tell about Khawla. He leads a double life, returning to Oman every two years to visit his children and leave Khawla pregnant once again. Khawla “held on fiercely to her dream” (157), determined not to lose Nasir for a second time. After 10 years, Nasir’s Canadian girlfriend leaves him, and he returns to Oman and finally gets to know his wife and children.

Aged 10, London visits Muscat with her mother. There, she buys English-language books. Mayya is determined that her daughter learn the language. She still struggles with Muhammad’s autism, which has persuaded her and Adbullah not to have more children. Abdallah remembers Mayya telling him how she hoped to “acquire as many rivals as we possibly could so that we could leave al-Awafi” (159). Against her mother’s wishes, Mayya wanted to move to Muscat. Mayya was convinced that her mother was involved in “the disappearance of the alluring Bedouin woman, her father’s lover” (159). One rumor suggested that bitter neighbors trained “her mongoloid brother to shoot bullets” (159), one of which killed the Bedouin.

Asma asks Khalid about his art. Khalid’s drawing allows him to free himself “from existing only inside the narrow space of [his] father’s imagination” (160). Art became a fundamental part of Khalid’s identity, his way of expressing himself and defining himself outside of his father’s idealized image of a son. Emigrant Issa is never able to forget “the truth of his identity” (161): he was among those who fought (and lost) against the colonial powers in Oman. Khalid wonders whether Issa wanted to turn his own son into “a fighter? A martyr?” (161). Issa made Khalid memorize books and poems, evangelizing certain important figures in Omani culture and history. He enrolled Khalid in the College of Engineering in Egypt and constantly reminds his son that they are not from Egypt. Khalid, who “barely had any childhood memories” (163) of Oman, is bothered by this. He had made his home in Cairo. His father treats him “with a coldness” (164). Then, Khalid’s sister dies, and the family travels to Oman to bury the body. The trip bonds the family together “in some hidden but really profound way” (164), normalizing the idea of returning to Oman.

Sick with a fever, Asma visits her father. They recite poetry to one another, as is their habit. She is shocked by how old he appears; she feels the “odd urge to apologize to him” (166) but does not know why. Her father hands her a tattered book, titled From the Sessions of the Brilliant Scholar Judge Yusuf bin Abd al-Rahman. She reads it.

Chapters 51-54 Summary

Abdallah thinks about his mother, who died suddenly when she “contracted a fever as she was giving birth” (168) to Abdallah. Ankabuta swears that she left the offerings of food to the jinni-woman exactly as commanded. Others insist that they were not at fault. While some suggest sorcery is to blame, Shaykh Said’s mother makes pointed comments, saying that “every person in this world will be served in the afterlife what she served others in this life” (168). While people try to deduce her meaning, Zarifa keeps quiet.

We learn the story of Marwan’s birth. His mother was told that she would have a son who would be “righteous and good” (169). She nicknames Marwan “the Pure,” and hopes that he will have a career in religion. Marwan memorizes the Noble Hadith, and he scorns “the games of other boys and their interest in trivial things” (169). He recognizes that he is different from his brothers; he is aware of the prideful way his parents regard him. One night, aged 13, he sneaks into his parents’ room and steals “all the money he found in his father’s wallet” (169). The next day, he beats himself with his father’s cane and fasts for two weeks. Three months later, he steals from his brother. By age 16, he has fasted for eight months and 14 days. People think that this is a spiritual commitment rather than a self-induced punishment. Marwan steals more and more, unable to stop. The secret tears Marwan apart inside. After his father dies, he sneaks into his mother’s room and steals “her new perfume, his father’s silver dagger, and a paltry sum of money” (171). He uses the dagger to cut the veins in his “thieving hand” (171) and bleeds to death.

In the 1890s, a slump in the Omani date trade leads a young merchant named Hilal to “seek a new source of profit” (172). He becomes involved in the arms trade and helps to smuggle weapons across the Middle East. After becoming a rich man, he seeks marriage into “a shaykhly family in al-Awafi” (172), eventually fathering a son and heir named Sulayman. Despite fathering other sons, only Sulayman survives into adulthood until Hilal visits a doctor to cure an errant vein in his head. He has three children: Sulayman, Ishaq, and a daughter who is a recluse and is divorced by two husbands. Sulayman inherits everything, including his father’s business savvy. Rather than weapons, he makes his money in the slave trade.

Masouda, still locked away, realizes that Shanna left al-Awafi with her husband, Sanjar. Her voice and body grow weaker; she depends on neighbors to feed and help her. She remembers peering curiously into the room of Merchant Sulayman, who has slept separately from his wife, Fatima, since the birth of Abdallah. She watched as Sulayman’s sister entered her brother’s room. The sister told Sulayman that she saw Fatima and Saleem (Shaykh Said’s slave) together “at the basil bush” (174). She offered to take care of the problem. Sulayman left on business and returned three months later to find his wife dead, and his son Abdallah in the care of his aunt. Saleem had vanished. Masouda had thought that she had “obliterated this murky dawn scene from her mind” (175). 

Chapters 55-58 Summary

Abdallah sits on the plane, due to arrive in Frankfurt “any moment now” (176). He remembers sitting on Zarifa’s lap and listening to a story about goats and a wolf. The wolf tricks the young goats and eats them. When the young goats’ mother searches for her offspring, a dove tells her what happened. The mother goat first visits the blacksmith and asks him “to sharpen her horns until they were knife blades” (176). Then, she finds the wolf, slices open its stomach, and finds her offspring alive inside. Then, “Mama and the babies all went home” (176).

London excitedly telephones Hanan and says that Ahmad will dedicate his new poem to her at the Oman Poetry Festival. She calls Hanan again on the day she and Ahmad conclude their betrothal vows and sign a marriage contract. Hanan has long been cynical about Ahmad, “the guy who calls himself a poet” (177). Ahmad has pursued London for a long time, much to Mayya’s disgust. Abdallah allowed the marriage to proceed. London has heard Ahmad lament “backwardness and ugliness” (178) many times, as well as “abhorrent classism” (178).

When London sees Ahmad with another woman, her accusations are met with vitriol. He says that she is “hemming me in with your jealousy and egotism” (178) and stifling his poetic nature and creative instincts. When she discovers the woman’s photograph in Ahmad’s wallet, London is angry. He calls her backwards and ugly. The next day, Ahmad announces his grand plans for the future, which involve London but are markedly different to her own. However, she finds herself giving in to Ahmad. Hanan chastises London but must leave to Dhofar. Every day, London phones her “in tears” (181). Hanan reminds London that she is “still just in the contract period, meaning, it’s just an engagement, really” (181), but London does not want “to be a divorced woman” (181). When she finally breaks off the relationship, Ahmad pleads with her, apologizing for hitting her, but London refuses to take him back, still feeling “the sharpest, most violent bitterness and pain” (182).

Once Nasir settles in Oman with Khawla, she asks for a divorce. She can no longer “bear the past” (183) and, because she is at peace, “her heart stopped forgiving” (183). He begs her to reconsider, but she refuses to listen. There is no way Nasir can understand what she has been through.

In Abdallah’s dream, he sits in a car with Muhammad, and the latter complains about his imagined wife “being insanely jealous” (185). As Salim plays outside, London sits in the car with them. She is crying. Abdallah pictures Muhammad again, as the boy imagines that his wife is Mayya, “bent over that damned sewing machine” (185). Abdallah slaps Muhammad when his dribbling and “sharp nervous movements” (185) make a scene. Abdallah’s father snatches the whip from his son’s hand, throws it in the sea, and then walks away. Abdallah chases after him, begging him to “take Muhammad with you” (185). Abdallah hears a car start and sees London at the wheel. He scoops up Muhammad and walks into the sea, whereupon Muhammad slips away from him and Abdallah “came out of the water dry” (186).

Chapters 46-58 Analysis

The final chapters of the book bring together the various narrative strands, refocusing the story from the past to the future. While the book has mostly focused on certain time periods, a chronological acceleration takes place, with the third-person narrative catching up toward Abdallah’s own memories. At the same time, Abdallah’s narration becomes more abstract and denser, switching from clear recollections of times past to dream sequences and hopes for the future.

Though London’s various marital issues have been hinted at during the story, the narration finally portrays events in the third-person perspective, bringing a sense of objective truth to the fragments of story which were previously colored by Abdallah’s own fears and concerns. London’s relationship with Ahmad also reflects the relationship between her aunt Asma and Khalid. Both women married artists, seduced by the poetic imagery and the sweet words, but in both instances, the women find themselves disappointed. Khalid is self-centered and views Asma and her achievements in terms of how they reflect on his. He is keen to objectify his wife, though there is a genuine sense of warmth between the two and they have many children together. Conversely, London’s relationship ends in disaster. There are accounts of domestic abuse and infidelity. While London is not the only woman in the novel to experience this, her willingness to abandon Ahmad reflects the growing autonomy and power of women in Oman. While her mother was practically forced into a relationship, London has a choice over her future. While Asma settled for her artistic husband’s flaws, London leaves Ahmad forever.

The final chapter seems to totally abandon the pretense of a coherent narrative. After a long-haul flight in which he has been drifting in and out of sleep, Abdallah finally slips entirely into a dream. Gone are the actual memories which haunt him, replaced by a symbolic and abstract scene in which locations, characters, and events are constantly shifting and never permanent. These images are Abdallah’s emotions in their purest, rawest form. His fears for his children, his childhood trauma, and his difficult relationship with his wife are represented by metaphors and imagery, rather than actual events. The final few lines suggest that, just as the plane is landing and completing its journey, Abdallah is finding reconciliation. The flight has given him time to think about his family and how to act in the future. When he emerges from the sea in the dream, he is not wet. He is not soaked or laden down with emotions passed. He can walk freely away and toward a more hopeful future.

blurred text
blurred text
blurred text
Unlock Icon

Unlock all 44 pages of this Study Guide

Plus, gain access to 9,150+ more expert-written Study Guides.

Including features:

+ Mobile App
+ Printable PDF
+ Literary AI Tools