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Content Warning: This section of the guide includes depictions of mental illness and substance use.
This is the story Cassidy told to Felix on the drive to Paradise Springs the week before. Alonso de Falla was born in a land across the sea, and was so beautiful he lit up the world around him. Diego de Falla is the only one not illuminated by Alonso, and that is because he suspects Alonso is the son of the poet his wife, Sofia, tried to run away with. Diego’s jealousy poisons him. Diego brings home Hector, his son by another woman, Luciana Magdalena. Alonso is tormented by his father’s coldness and Hector’s jealousy. Hector vows to kill Alonso, which manifests a curse in the Fall family that persists to this day.
Miles meets Felix Rivera as he is leaving the hospital. Felix says Miles glows.
Miles and Sandro the dog telepathically discuss their desire to see Cassidy again. Miles feels unable to look at Wynton or hug his mother and, since his dean contacted his mother, he feels that he is no longer Perfect Miles. Outside the hospital, Miles encounters Madison, who was there the night Miles woke up in a dumpster. Madison reveals that Miles was driving the truck and smashed into the statue of Alonso Fall, and Wynton took the blame for him. Miles has arranged to meet a man he found online, Rod, but Felix pulls Miles out of Rod’s truck. They walk into the forest, and Miles thinks about being able to wake up Wynton.
Alonso is 12 when he sees a boy reading under a tree. The boy is floating in the air but puts rocks in his pockets to hold him to earth. Alonso and the boy, Sebastian, become best friends, but Alonso also knows he is in love with Sebastian. Alonso’s brother Hector is so jealous that he begins eating the house he shares with Alonso, and he grows enormous. Their mother, Sofia, reveals that Alonso’s father was a poet, Esteban. Alonso and Sebastian kiss. Alonso wonders, “If there are family curses that drop through time, mustn’t there also be family blessings that do the same?” (241).
Sandro, who goes with Miles and Felix on their hike in the woods, describes Felix as a rapturous human being. Miles is attracted to Felix for his looks as well as the way he marvels at everything around him. Miles feels, “he’s somehow walked out of his life and into a new one, a much better one” (246). Felix talks about his interest in culinary school but won’t say why he left Colorado. He is bisexual but tells Miles he is unavailable. Miles is disappointed.
Cassidy resumes her story to Wynton about the second betrayal. In the story, she and her mother arrive in Paradise Springs and realize it is The Town. At first sight, it appears to be floating in the air.
Cassidy and her mother park in front of Dave Caputo’s house. Cassidy feels hopeful and excited at the first sight of him; “this is a moment of tumbling joy for me” (254) and at first she thinks they are Dave’s rescuers, too. Then a woman with two children appears. Dave explains that he is married. He pretended not to be because he wanted the life of freedom that Marigold and Cassidy have; he says he “[f]elt more at home in your life than I ever have in mine” (258). After leaving the campsite and returning home, he told his wife that he wanted to end their marriage, but she asked him to stay for just a few days, and soon his month with Marigold and Cassidy started to feel like make-believe. Cassidy, feeling dirty and smelly and crushed, runs away.
Cassidy ends up in a meadow, where she sees a boy playing a violin. His playing sounds exactly like how Cassidy feels, and she feels lit up by him. Wynton says he can hear his absent father playing trumpet often, and he follows the sound. Cassidy shares that her dad is dead. Wynton says his mother’s soufflés make people fall in love. He takes her to The Town, and Cassidy runs back to her mother: “Because she, and she alone, is my destiny. No one else” (267). Dizzy delivers a soufflé. She tells Cassidy that she and her brothers are named after their father’s favorite trumpet players. As Cassidy eats it, she sees Wynton sitting on the roof of a nearby building. The moment is magical, and she’s certain she loves him.
Wynton thinks about what playing violin meant to him, and what it will mean if he never plays again. He thinks he “played an instrument that could do anything, make a rose bloom in someone’s hand, a bomb detonate in their heart, a staircase reach all the way to a star” (271).
Felix is driving Miles and Sancho north to the town with hot springs where Felix met Cassidy. They hope to find her, as Miles believes she can wake Wynton. Miles is intensely attracted to Felix, who reminds him of the romance hero Jericho Blane. Miles listens as Felix relates the stories Cassidy told him about the Fall family. Bernadette’s note to Miles reveals her understanding that, while he is beautiful, he is also lost.
The truck runs out of gas, and Felix and Miles stop by the side of the road. Miles tells Felix about his recent struggles and how, after the night with Wynton, it was “like everything in me powered down” (283), but with Felix, he feels he is coming alive again. He describes how his father left them and his mother, who says he is her beshert, a Yiddish word which means “both destiny and your destiny in a person” (287), like a soul mate. Miles and Felix confide in one another about their past crushes. They discover that Dizzy is in the truck bed.
Diego wants Alonso to marry Maria Guerrero, though neither Alonso nor Maria wants to marry. Alonso plans to escape to California with Sebastian and Maria. At the last moment, Sebastian says he can’t go, so Alonso sails away with Maria and six of her father’s grape vines.
Dizzy stowed away because she believes Cassidy is an Energy Being who can help Wynton. She brought gumbo, and the three of them feed one another, then lie down to sleep in the truck bed. Dizzy is happy to be close to Miles and says he smells the color of a California poppy. Miles wonders if it is somewhat his fault that he isn’t close with his siblings. Felix asks Miles to describe what is around them, and Miles, once again, feels that “he was somehow talking a new person into existence, and that new person was himself, the real deep-down him” (311). In the morning, he spots a nearby farm, and Felix continues the tale Cassidy told him.
Alonso and Maria settle in a valley north of San Francisco and plant the vines. They live together like brother and sister and are happy, naming the place Paradise. They build a white house and bottle their wine, which becomes famous. Maria says she would like a baby, so she and Alonso have Bazzy. Sebastian arrives, and Alonso is overjoyed at their reunion, at which they both float into the air, kissing. Sebastian establishes a bakery in town.
Miles feels as if he has moved into the story of Alonso and Sebastian. He calls his mother and tells her some of the story. Dizzy is sure Alonso and Sebastian are the kissing ghosts she sees in the vineyard. Miles tells Dizzy he is gay and feels “like his heart was expanding in his chest in fast motion” (329).
Bazzy is 16 when Hector arrives at the vineyard with Victor, his son. Hector shoots Alonso. Sebastian shoots Hector, then dies of grief. Victor vows he will kill Bazzy to avenge his father, since he cannot kill his father’s killer, Sebastian, who is already dead. Bazzy enlists in the army, marries a woman named Ingrid, and returns home with a son, Theo. Victor moves into the house, marries a woman named Eva, and has a son, Clive. The ghosts of Alonso and Sebastian witness Victor’s murder of Bazzy when he is 24. Victor inherits the vineyard. Maria flies around the vineyard before she dies. Eva raises Theo as Clive’s brother. An illustration shows the Fall family tree concluding with Theo and Clive.
Wynton identifies with Hector. He realizes something that makes his heart stop.
Miles and Dizzy are upset to hear that Wynton had to be resuscitated. Miles wants to be a brother to Wynton, and a person again. They reach the town with the hot springs. Cassidy isn’t there, but they get directions to her house on Dandelion Road. They knock on the door, and Miles and Dizzy’s father opens it. Bernadette writes of a dream of losing her teeth.
Dizzy is euphoric at seeing her father and thinks “this was the best end of a treasure hunt in the history of treasure hunts” (343). She realizes she has seen her father outside the family vineyard. Sandro leaps into Theo’s arms. Dizzy clings to her father’s hand and feels that “[g]race has crashed into all of them” (345).
Part 3 unfolds through love stories: the beginning of the story for three couples, and the conclusion for a fourth. The love story between Marigold and Dave ends in betrayal deepened by Marigold’s belief that Paradise Springs, which she’s never seen on a map, is the mythical town she has been searching for all this time, the final step in this quest for a California-style grand adventure. This development is ironic in that the long-awaited promised land is also, at least initially, a scene of dashed hopes for both Marigold and Cassidy. Cassidy, who had hoped Dave would become a father figure to her, feels devastated by the news that he was already married and has returned to his wife. This irony mirrors the idea of California as depicted in 20th-century cultural products like John Steinbeck’s The Grapes of Wrath: an imagined utopia giving way to an often-cruel reality. Cassidy’s sense of betrayal illustrates The Effects of Parental Abandonment: She has already been feeling abandoned by her mother for years, and now another potential parent has abandoned her.
Painful as this betrayal is, it also leads Cassidy to Wynton, and something wonderful comes out of her broken-heartedness, highlighting the theme of Healing Intergenerational Trauma. Their separate abandonments unite these two characters, a connection secured by the chocolate soufflé that promises love. They are one of the three couples whose love story emerges in this section, and without yet knowing it, Cassidy and Wynton are also poised to finally cancel the Fall family curse. This plot element develops through yet another nested narrative: the history of Alonso Fall, which Felix is presumably telling to Miles as they travel, in reverse, the journey Felix took with Cassidy to arrive at Paradise Springs, during which he heard the story from her. Miles and Felix’s drive, like Wynton’s continued suspension in a coma, becomes another dilated or suspended storyline as both the story of Alonso Fall and Cassidy’s continued personal history fill in backstory and outline the family conflicts that bear on the present storylines. This background will prove important to understanding the dramatic arc of Part 4 and the book’s final resolution.
The second love story, that of Alonso and Sebastian, proves that both love and jealousy are the legacies of the Fall family, an example of curse and blessings intertwined. The elements of magical realism in this fable help develop the characters, depicting Alonso as a person who gives off life and Sebastian as a boy who floats in the air due his natural innocence and dreaminess. Adjunct to their love story is Maria, whose passion is for freedom and independence is signified by the wings that she develops when she is liberated from the expectations of her family and culture. The wine from the vines Maria brings to their new home of Paradise has a marvelous quality, imparted by the risks they have taken and the joy that all three have found in living out their dreams.
The Fall family history also contains a thread of infidelity in Sofia’s love for Esteban, which serves as a foreshadowing for Bernadette’s choices later. This infidelity is the root of the family’s misfortune, suggesting that Romantic Love as Destiny can be a curse as well as a blessing. Diego’s hatred for Alonso is born of his jealousy over losing Sofia’s love, and this jealous hatred is bequeathed to his son Hector and grandson Victor. The animosity between Alonso and Victor also plays out in Wynton and Miles’s relationship, but both boys come to reconsider that animosity. Their eventual reconciliation, which heals the wounds of infidelity and betrayal and breaks the curse of jealous rivalry, echoes the novel’s larger patterns of reconciliation, which start to surface here first in the reunion of Alonso and Sebastian and then in Miles and Dizzy’s discovery of their father.
The third love story beginning in this section is that of Miles and Felix. Whenever Miles is near Felix, he feels a sense of becoming more himself, highlighting the happier side of romantic love as destiny. While Felix recognizes Miles’s Gloom Room as potentially an experience of depression, Miles perceives himself opening up, like a room, into the person he was meant to be, or should be, or really is. While Wynton questions what his identity will be if he doesn’t have his violin, which has always defined him, Miles feels liberated by acknowledging, publicly, that he is gay. The narrative of Alonso and Sebastian reassures Miles that love between men is not only possible but also fulfilling, and this gives him hope for his own passions. Dizzy experiences a version of this consolidation of identity when they find Theo and she finally gets to be a girl holding her father’s hand. The discovery of Theo surfaces as a plot twist and a potential reunion but returns to the story question of why he left in the first place, creating suspense around the question of what will happen next for the Fall family.
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